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Thursday, November 19, 2020 | History

2 edition of Electronic music and musique concrète. found in the catalog.

Electronic music and musique concrète.

F. C. Judd

Electronic music and musique concrète.

  • 370 Want to read
  • 32 Currently reading

Published by Neville Spearman in London .
Written in English


ID Numbers
Open LibraryOL20906262M

About This Quiz & Worksheet. Electronic music is any music made principally with electronic instruments, and this quiz/worksheet combo will help you test your understanding of the form.


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Electronic music and musique concrète. by F. C. Judd Download PDF EPUB FB2

This item: Electronic Music and Musique Concrete by F. Judd Paperback $ Electronics in Music by F. Judd Paperback $ Customers who viewed this item also viewed Page 1 of 1 Start over Page 1 of /5(3).

Frederick Charles Judd () was a pioneer of British electronic music, composing and recording at his home studio. 'Electronic Music and Musique Concrète', originally published inwas one of the earliest books to introduce to a popular audience a form of Brand: Foruli Limited.

Genre/Form: Criticism, interpretation, etc: Additional Physical Format: Online version: Judd, F.C. (Frederick Charles).

Electronic music and musique concrète. The book contains both Scheffer’s documentation of his experiments in composition, and a theoretical backbone of the overall importance and purpose of musique concrete. Being one of the most well known, and influential figures in music history, Schaeffer’s impact on music and sound-based art stretches way beyond the realm of electroacoustic.

Electronic Music and Musique Concrete by F. Judd. We also have hundreds of sheet music books for classical, jazz, and rock guitar. All of these, and many more, are. Electronic and Experimental Music: Technology, Music, and Culture provides a thorough treatment of the relevant history behind the marriage of technology and music 4/5(1).

Frederick Charles Judd () was a pioneer of British electronic music, composing and recording at his home studio. 'Electronic Music and Musique Concrète', originally published inwas one of the earliest books to introduce to a popular audience a form of music Reviews: 3. Annotation Electronic and Experimental Music details the history of electronic music throughout the world, and the people who created it.

From the theory of sound production to key composers and. Musique concrète (French: [myzik kɔ̃kʁɛt]; lit. '"concrete music"') is a type of music composition that utilizes recorded sounds as raw material.

Sounds are often modified through the application of audio effects and tape manipulation techniques, and may be assembled into a form of can feature sounds derived from recordings of musical instruments, the human voice, and the. Rowling's Harry Potter books are considered postmodern.

true. Two trends in electronic music, musique concrète and elektronische Musik, emerged in the. s and early 50s. _____ music left decisions determining the overall shape of a piece to the performer or to chance, rather than being strictly determined by the composer.

Few books have described with such precision the evolution of thoughts and concepts behind the invention of a new music as A La Recherche d'une Musique Concrete. In this book Schaeffer has unveiled the major philosophical problems of music of the second half of the twentieth century.

An excellent translation by Dack and s: 4. DOI link for Electronic and Experimental Music. Electronic and Experimental Music book. Foundations of New Music and New Listening. for instance, but you could go gradually through the whole thing.”1 This work preceded Schaeffer’s musique concrète by nine years, again showing how prophetic Cage’s musical vision had been.

T&F logo. Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrète and elektronische musik, and contemporary trends such as electronic dance music and electronica.

A fascinating array of composers and inventors have contributed to a diverse set of technologies, practices and music.

Musique concrète, (French: “concrete music”), experimental technique of musical composition using recorded sounds as raw material. The technique was developed about by the French composer Pierre Schaeffer and his associates at the Studio d’Essai (“Experimental Studio”) of the.

Paperback. Published: 27 March Pages | 44 illus., 21 music ex. /8 x /4 inches. ISBN: I'm not the owner of the copyright, all credit goes to the author. View credits, reviews, tracks and shop for the Gatefold Vinyl release of A Panorama Of Experimental Music, Vol.

1: Electronic Music / Musique Concrete on Discogs. You may hear the phrase “electronic music” and think of superstar dubstep DJs in funny helmets at beachside celebrity parties.

Alternately, you may think of the mercurial compositions of Karlheinz Stockhausen, the musique concrete of Pierre Henry, or the otherworldly experimentalism of François Bayle. If you’re in that latter camp of. The father of Musique Concrète, French composer Pierre Schaeffer, was among the most visionary artists of the postwar era.

Through the creation of abstract sound mosaics divorced from conventional musical theory, he pioneered a sonic revolution which continues to resonate across the contemporary cultural landscape, most deeply in the grooves of hip-hop and electronica. Journalist and author David Stubbs has announced the new book Mars By The Story Of Electronic Music, which will examine the entire history and evolution of the genre.

In pages, the book. An illustration of an open book. Books. An illustration of two cells of a film strip. Video. An illustration of an audio speaker. Audio An illustration of a " floppy disk. A collection of electronic ambient music and musique concrete by composer Keith David Doyle Related Music (Beta) question-dark.

Electronic & chance music. CHANCE MUSIC It is a style wherein the piece always sounds different at every performance because of the random techniques of production, including the use of ring modulators or natural elements (sounds) that become a part of the music.

Musique concrete. A new way of composing and a new attitude towards sound not only as a suite of notes but also as a composite in space was developed in the late ’40s.

This is best illustrated in Hymnen, a work of electronic music, based on songs and national anthems from around the globe. Karlheinz Stockhausen during a live performance. Electronic music can be divided into three categories: Musique concrete, synthesizer music, and computer music.

Musique concrete was the first type to be created. It involves using sounds found in nature (found sound), distorted in various ways, to create music.

Live, it becomes an exercise in mixing together unexpected sounds into some sort of. Artist: Various Album: Magyar Elektronikus Zene: Hungarian Electronic Music Year: (recorded - ) Genre: electronic, musique concrète, experiment. Pierre Schaeffer’s In Search of a Concrete Music (À la recherche d’une musique concrète) has long been considered a classic text in electroacoustic music and sound recording.

Now Schaeffer’s pioneering work—at once a journal of his experiments in sound composition and a treatise on the raison d’être of “concrete music”—is available for the first time in English translation/5(6).

The minute Cosmic Pulses is built out of 24 layers of electronic music, from sounds so low and slow that you can only feel them in the pit of your belly to ear-piercingly high and fast. This makes sense, as looking forward into the s we see an astonishing number of separate strands develop, each at a fevered pace.

The explosion of prosperity and technology after the war created many new possibilities, and the development of electronic music during this period (sometimes referred to as a “golden age”) reflects this.

The arts revival following World War II increased institutional support for the development of electronic music. In Europe two broadcasting networks, Radiodiffusion Télévision Française (RTF) in Paris, and Norwestdeutscher Rundfunk (NWDR) in Cologne, took up the initiative.

Movements toward new paths in musical composition during the second half of the century tended, at least initially, to. For a multi-textured experience, check out Curtis Roads' recent publication, Composing Electronic Music: A New Aesthetic.

Roads, a composer in his own right, has provided relevant sound samples to his readers via the OUP website. The book itself is available electronically to Columbus State students and staff.

This book illuminates the development of electronic and computer music in East Asia, presented by authors from these countries and territories (China, Japan, Korea, and Taiwan). The scholars bring forward the cultural complexities and conflicts involved in their diverse encounters with new music technology and modern aesthetics.

How electronic music attracted the interest of composers. The next major stage in the evolution of electronic music came with the Parisian invention of musique concrete inwhich involved editing various recorded fragments of industrial and natural sounds together.

The first music to be produced from solely electronic generators was in Germany, Japan, and the United States in the early s. Electronic Music by Allen Strange is the original bible of modular synthesis by the man who wrote the manual for the Buchla Music Easel.

Now extremely rare and expensive in print. A House Full of Music is a huge coffee-table book, a completely practical guide to 'Musique Concrete for Beginners' aimed at children and adults. Certainly the university music text-books of the time were happy to claim the mix of synths and sound collage on The Dark Side of the Moon as an affirmation of electronic music and musique.

The compilation album BBC Radiophonic Music, for example, contains music from three of the Workshop’s most prominent composers—Derbyshire, John Baker, and David Cain—and features one of her most famous themes, “Ziwzih Ziwzih Oo-Oo-Oo,” which critic Robin Carmody described as “her most terrifying moment, tumbling into a nightmare, the sound.

The father of musique concrète, French composer Pierre Schaeffer was among the most visionary artists of the postwar era; through the creation of abstract sound mosaics divorced from conventional musical theory, he pioneered a sonic revolution which continues to resonate across the contemporary cultural landscape, most deeply in the grooves of hip-hop and electronica.

Delia Derbyshire, Electronic Music's Forgotten Pioneer Electronic music as it is now known and used would not exist without Derbyshire and her spirit of human, sonic manipulation.

aleph om is a solo endeavor and pseudonym for musical works by Alexander Brown, a musician from Detroit, MI. As an avid experimenter and lover of antipodal imagery, A. Brown celebrates an appreciation for psychedelic abstract art, poetry, and mysticism through electronic music.

The music inside the packaging, all recorded at the University of Toronto's Electronic Music Studio, was just as startling, and includes a bona-fide early classic of musique.

View credits, reviews, tracks and shop for the Vinyl release of Response: Electronic Music From Norway on Discogs. Label: Limelight - LS • Format: Vinyl LP • Country: US • Genre: Electronic • Style: Musique Concrète. Extreme is a music label based in Melbourne, Australia.

Extreme has an international focus with a further office in Salt Lake City, USA. Extreme releases genre defying experimental works that dip into and out of electronic, soundtrack, world/ethnic, ambient, free jazz, noise and musique concrete, often mixing and matching combinations of all of these styles.Electronically produced music became prevalent in the popular domain by the s, because of the advent of affordable music technology.

Contemporary electronic music includes many varieties and ranges from experimental art music to popular forms such as electronic dance music. Today, pop electronic music is most recognizable in its 4/4 form.

But then synthesizers of various kinds came along, and the new group of composers—Stockhausen in Germany, Babbitt in America, Berio in Italy were among the leaders—laughed at musique concrete.